Pavle Levi

Pavle Levi is Osgood Hooker Professor of Fine Arts in Art Department's Film and Media Studies Program at Stanford University.

Pavle Levi's primary areas of research and teaching include: history and theory of world cinema, East European film, aesthetics and ideology, experimental cinema, intersections of theory and practice.

He is the recipient of the 2011 Gores Award for Excellence in Teaching.

Publications

• Disintegration in Frames: Aesthetics and Ideology in the Yugoslav and Post-Yugoslav Cinema, Stanford University Press, 2007, 216 pp. Publisher.

• Cinema by Other Means, Oxford University Press, Apr 2012, xvi+201 pp. Publisher.
  • Kino drugim sredstvima, trans. Đorđe Tomić, Belgrade: Muzej savremene umetnosti: Filmski centar Srbije, 2013, 249 pp. (Serbian)

• Raspad Jugoslavije na filmu. Estetika i ideologija u jugoslovenskom i postjugoslovenskom filmu, Biblioteka XX vek, 2009, 262 pp. Publisher. (Serbian)

• Jolted Images: Unbound Analytic, Amsterdam: Amsterdam University Press, Oct 2017, 216 pp. Publisher.
  • Cimanje slike: nesputana analitika, trans. Đorđe Tomić, Zagreb: Multimedijalni institut, and Belgrade: Fakultet za medije i komunikacije, 2019, 205 pp. [1] (Croatian)

• Unfiltered Cinematic Thoughts from the Age of the Pandemic. The Quarantine Film Diaries, Zagreb: Multimedijalni institut, 2020, [22] pp. First published in ASAP/J.
  • Nefiltrirane kino-misli u doba pandemije. Filmski dnevnik iz karantina, trans. Đorđe Tomić, Zagreb: Multimedia Institute, 2020, [22] pp. (Croatian)

• Minijature: o politici filmske slike, Zagreb: Multimedijalni institut, 2021, 169 pp. Publisher. (Croatian)

• Hypnos in Cineland, Zagreb: Multimedijalni institut, 2022, 80 pp. Publisher.

Links

• Profile on Stanford