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Contents
Avant-garde[edit]
- Klaxon: mensário de arte moderna, 9 issues (1922-23).
- Blaise Cendrars
- Ángel Rama, "Las dos vanguardias latinoamericanas", Maldoror 9 (Nov 1973). (Spanish)
- Vicky Unruh, Latin American Vanguards: The Art of Contentious Encounters, University of California Press, 1994.
- http://pt.wikipedia.org/wiki/Modernismo_no_Brasil
Antropofagia[edit]
- Revista de Antropofagia, 26 issues (1928-29).
- Oswald de Andrade
- Raul Bopp, Movimentos modernistas no Brasil, 1922-1928, Rio de Janeiro: São José, 1966, 155 pp; repr., intro. Gilberto Mendonça Teles, Rio de Janeiro: Jose Olympio, 2012. (Brazilian Portuguese)
- Ivo Barbieri, "The Journey of the Brazilian Avant-Garde of the 1920s", Stanford Humanities Review 7:1 (1999).
Concretism, Concrete poetry (1950s)[edit]
- Noigandres and Invention journals.
- Augusto de Campos (1931), Haroldo de Campos (1929-2003), Décio Pignatari (1927), Ronaldo Azeredo (1937), Ferreira Gullar (1930), Wlademir Dias-Pino (1927), Paulo Leminski, José Lino Grünewald (1931-2000).
- Pavla Korpaczewski, Experimentální poezie: brazilská konkrétní poezie v letech 1950-1960, Prague: Karlova univerzita/Filozofická fakulta, 2010, 139 pp. Master's thesis. (Czech)
- Nathaniel Wolfson, Versions of the Concrete: Brazilian Mid-Century Aesthetics (1945-1970), Princeton, NJ: Princeton University, 2017, 198 pp. PhD dissertation. (English)
- http://www.vispo.com/misc/BrazilianDigitalPoetry.htm
- http://books.google.com/books?id=GYVj5_URmK0C&pg=PA172
Poesia-práxis (1960s)[edit]
- Praxis journal, *1961.
- Mário Chamie.
Neoconcretism[edit]
- Artists
- in Rio de Janeiro: Ivan Serpa, Abraham Palatnik, Almir Mavignier, Mário Pedrosa.
- Grupo Neoconcreto (1959-1961): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.
- Writings
- Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
- "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
- Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
- "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
- Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
- Hélio Oiticica, "The Senses Pointing Toward a New Transformation" [1969], ARTMargins 7:2, Jun 2018, pp 129-135. With an introduction by Jo Melvin and Luke Skrebowski. Written between 18-25 June 1969 in London and submitted to the British art magazine Studio International, but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
- Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)
- Hélio Oiticica, Experimentar o experimental, eds. Marcos Lacerda and Sergio Cohn, Lisbon: oca, 2019, 96 pp. (Portuguese)
- Catalogues
- Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)
- Literature
- Ronaldo Brito, "Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro", Malasartes 3, Apr-Jun 1976, pp 9-13; exp. as Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro, Rio de Janeiro: Funarte/Instituto Nacional de Artes Plásticas, 1985. (Brazilian Portuguese)
- "Neo-concretism, Apex and Rupture of the Brazilian Constructive Project", trans. Gabriel Pérez-Barreiro with Irene V. Small, October 161, Summer 2017, pp 89-142. Introduction by Irene V. Small. (English)
- Mónica Amor, "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964", Grey Room 38, Winter 2010, pp 21-37. (English)
- Sérgio B. Martins, "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object", Third Text 26:1, 2012, pp 79-90. (English)
- Sérgio B. Martins, Constructing an Avant-Garde: Art in Brazil, 1949-1979, MIT Press, 2013. (English)
- Sabeth Buchmann, Max Jorge Hinderer Cruz, Hélio Oiticica and Neville D'Almeida, Block Experiments in Cosmococa, Program in Progress, MIT Press (Afterall Books), 2013, 116 pp. (English)
- Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968, Northwestern University Press, 2014. [6] (English)
- Lynn Zelevansky (ed.), Hélio Oiticica: To Organize Delirium, Munich: Prestel, 2016. (English)
- Mónica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016, 344 pp. Introduction. [7] (English)
- Irene V. Small, Hélio Oiticica: Folding the Frame, University of Chicago Press, 2015, 304 pp. Review: Anagnost (Crit Inquiry). (English)
- Alexander Alberro, Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art, University of Chicago Press, 2017. (English)
- Modos: Revista de História da Arte 5(1): "Arte abstrata no Brasil / Abstract Art in Brazil", eds. Ana Gonçalves Magalhães and Adele Nelson, Campinas, 2021. (Brazilian Portuguese),(English)
- Adele Nelson, Forming Abstraction: Art and Institutions in Postwar Brazil, Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2022, 392 pp. Publisher. [8] (English)
- Adrian Anagnost, Spatial Orders, Social Forms: Art and the City in Modern Brazil, Yale University Press, 2022. Publisher. (English)
- Mariola V. Alvarez, The Affinity of Neoconcretism: Interdisciplinary Collaborations in Brazilian Modernism, 1954–1964, Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2023, 304 pp. Publisher. [9] (English)
Arte cinética, Kinetic art[edit]
Tropicália (Tropicalismo)[edit]
Computer art[edit]
Mail art[edit]
- Walter Zanini, Julio Plaza, Paulo Bruscky.
- Exhibitions: Prospectiva (1974), Poéticas | Visuais (1977).
Video art[edit]
- Elena Shtromberg, "Bodies in Peril: Enacting Censorship in Early Brazilian Video Art (1974-1978)", in Aesthetics of Risk: SoCCAS Symposium Vol. III, ed. John C. Welchman, Zürich: JRP Ringier, 2008. [10] [11]
New media art, Media culture[edit]
- FILE festival, since 2000
- Julio Plaza, "Sobre videotexto (VTX)" & "Arte e videotexto", in 17a Bienal de São Paulo, Catálogo Geral, São Paulo, 1983, pp 103-104 & 105-107. [12] (Brazilian Portuguese)
- Julio Plaza, Videografia em videotexto, São Paulo: Hucitec, 1986, 206 pp. (Brazilian Portuguese)
- Christine Mello, "Arte e novas mídias: práticas e contextos no Brasil a partir dos anos 90", ARS 3:5, São Paulo, 2005. (Brazilian Portuguese)
- Daniel Hunt, "Brazil's 'Telematic Revolution': Net Art at the End of the Dictatorship", Rhizome, 5 Dec 2016. (English)
Media theory[edit]
See also[edit]
- Malasartes 1, ed. Mario Aratanha, Rio de Janeiro, Sep-Nov 1975, 36 pp. First of three issues of the magazine. [13] (Brazilian Portuguese)
- Jacqueline Barnitz, Twentieth-Century Art of Latin America, 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
- Cacilda Teixeira da Costa, Arte no Brasil 1950-2000: movimentos e meois, Sao Paulo: Alameda, 2004; 2nd ed., 2006. (Brazilian Portuguese)
- Patrick Frank (ed.), Readings in Latin American Modern Art, Yale University Press, 2004, 288 pp. [14] (English)
- Crítica de Arte no Brasil: temáticas contemporâneas, ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, PDF. Anthology of 91 texts from 80 authors, 1946-2006. (Brazilian Portuguese)
- Roger Sansi, Fetishes and Monuments: Afro-brazillian Art and Culture in the 20th Century, Berghahn Books, 2007, 176 pp. (English)
- Claudia Calirman, Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles, Duke University Press, 2012. Introduction, [15]. (English)
- Pedro R. Erber, Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan, University of California Press, 2014, 248 pp. [16] (English)
- Elena Shtromberg, Art Systems: Brazil and the 1970s, Texas University Press, 2016, 238 pp. [17] (English)
- Sophie Halart, Mara Polgovsky Ezcurra (eds.), Sabotage Art: Politics and Iconoclasm in Contemporary Latin America, London: I.B. Tauris, 2016, xvii+238 pp. (English)
- Felipe Chaimovich, "Brazil: Art after 1980", Oxford Art Online, n.d.
- Bill Kelley Jr., Grant H. Kester (eds.), Collective Situations: Readings in Contemporary Latin American Art, 1995-2010, Durham: Duke University Press, 2017, 456 pp. Reviews: Montgomery (CAA), Zilberg (Leonardo).
- Patrick Frank (ed.), Manifestos and Polemics in Latin American Modern Art, trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: Boone (CJLACS). (English)
- Kaira M. Cabañas, Learning From Madness: Brazilian Modernism and Global Contemporary Art, University of Chicago Press, 2018. (English)
- Kaira M. Cabañas, Immanent Vitalities: Meaning and Materiality in Modern and Contemporary Art, Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2021, 240 pp. Publisher. [18] (English)
- Claudia Calirman, Dissident Practices: Brazilian Women Artists, 1960s–2020s, Duke University Press, 2023. (English)
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