Berlin

From Monoskop
Jump to navigation Jump to search

Initiatives[edit]

Venues
Art museums and centres
Past venues

-able (gallery, -2014), Altes Finanzamt (Neukölln, -2015), Antje Øklesund (audiovisual laboratory, -2017), A Public Library (Kreuzberg, 2015), Automaten (club, 2001-2004), Echo Bücher (space for contemporary music, sound and club culture, Gesundbrunnen, 2013-2018), Enblanco Projektraum (project space, Kreuzberg, 2009-2013), Fischbüro (cultural club, 1986-1989), Galerie René Block (1964-1979), gelbe MUSIK (1981-2014), General Public (sound art gallery, 2005-2015), Intersoup (music venue, Prenzlauer Berg), Kunstfabrik (culture space, 2002-2008), LEAP (Mitte, 2011-2015), M12, Maria am Ostbahnhof (club), Media Arts Lab Künstlerhaus Bethanien, NK (2009-2015), Or Gallery Berlin (2010-2015), Pflüger68 (exhibition space, 2007-2015), pickledfeet (Mitte, -2008), Pirate Cinema Berlin, Podewil centre (1992-2004), Quiet Cue (2009-2016), Raum (Wedding, 2006-2007) Raum18 (Neukölln, 2009-2010), Ruine der Künste Berlin (1985-2005), Singuhr Hoergalerie (sound art gallery, 1996-2014), Spektrum (art & science community space with makerlab, 2014-2019) [4], Stattbad (culture centre, Wedding, 2001-2015), Stralau 68, Tesla (media art lab, 2005-2007), tmp (artistic project spaces, 2007-2011), Underground Zero (club, *2007), White Rabbit (gallery & music venue, -2012), Zentrale-Randlage (2005-2007).

Initiatives with no permanent event venue

Events[edit]

Past events

Art workers[edit]

Publications[edit]

  • Klaus Schrenk (ed.), Aufbrüche - Manifeste, Manifestationen: Positionen in der bildenden Kunst zu Beginn der 60er Jahre in Berlin, Düsseldorf und München / Upheavals, Manifestos, Manifestations: Conceptions in the Arts at the Beginning of the Sixties in Berlin, Düsseldorf and Munich, Cologne: DuMont, 1984, 202 pp. (German)/(English)
  • Diedrich Diederichsen, Der lange Weg nach Mitte. Der Sound und die Stadt, Cologne: Kiepenheuer und Witsch, 1999; repr., Kiwi, 2018, 312 pp. Publisher. (German)
  • Children of Berlin. Cultural Developments 1989-1999, Berlin: Kunst-Werke, 1999, 96 pp. Catalogue. Exhibition held at P.S.1 Contemporary Art Center, New York, 7 Nov 1999-2 Jan 2000. Curated by Alanna Heiss and Klaus Biesenbach. Exh. reviews: Holland Cotter (NYT), Daryl Chin (PAJ).
  • Constructing New Berlin: Contemporary Art Made in Berlin, ed. Brady M. Roberts, Phoenix Art Museum, Bass Museum Of Art, and Munich: Prestel, 2006, 150 pp. Catalogue. [13]
  • Théo Lessour, Berlin sampler, Paris: Ollendorff & Desseins, 2009, 354+[11] pp. (French)
    • Berlin Sampler: From Cabaret to Techno: 1904-2012, A Century Of Berlin Music, trans. Sean Kearney, Berlin: Ollendorff, 2012, 365 pp.
  • Burkhard Beins, Christian Kesten, Gisela Nauck, Andrea Neumann (eds.), Echtzeitmusik Berlin: Selbstbestimmung einer Szene / Self-Defining a Scene, Hofheim am Taunus: Wolke, 2011, 416 pp. Excerpt. Publisher. Review: Williams (Crit Stud Impro). (German)/(English)
  • Ulrich Gutmair, Die ersten Tage von Berlin. Der Sound der Wende, Stuttgart: Klett-Cotta, 2013, 256 pp. Publisher. (German)
    • The First Days of Berlin: The Sound of Change, trans. Simon Pare, Polity, 2022, 200 pp. Publisher. Review: Shull (LA Review of Books).
  • Stefanie Seidl, Wolfgang Farkas, Heiko Zwirner (eds.), Nachtleben in Berlin: 1974 bis Heute, Metrolit, 2013. (German)
  • Sven Marquardt, Die Nacht ist Leben: Autobiographie, Ullstein, 2014, 224 pp. [15] (German)
  • Berliner Hefte zu Geschichte und Gegenwart der Stadt [Berlin Journals—On the History and Present State of the City], 11 vols., 2016-2022 ff. Project. Publisher. (German)
  • Peter Cusack, Berlin Sonic Places: A Brief Guide, ed. DAAD Artists-in-Berlin Program, Hofheim am Taunus: Wolke, 2017, 96 pp. Audio recordings. [16]
  • Annette Maechtel, Das Temporäre politisch denken. Raumproduktion im Berlin der frühen 1990er Jahre, Berlin: b_books, 2020, 450 pp. Publisher. Review: Conrads (TAZ). (German)
  • Birgit Eusterschulte, et al., Neuverhandlungen von Kunst. Diskurse und Praktiken seit 1990 am Beispiel Berlin, Bielefeld: transcript, 2020, 148 pp. TOC, Introduction. Publisher. (German)
  • Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), Never Mind the Nineties. Eine Medienarchäologie des Kunststandorts Berlin, Hamburg: adocs, and Berlin: Eeclectic, 2021, 146 pp. Excerpt. Publisher. Publisher. Research project. (German)


Cities
alternative base

Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb